Date: Sep 10, 2016 - Sep 16, 2016
Duration: 7 days
Location: ARA Toronto
Instructor: Juan Martinez
Please note: SPACE IS LIMITED. Registrations are not guaranteed until a deposit has been paid. If you require more information call 416-766-1280.
This seven-day workshop focuses on a head-and-shoulders portrait study painted from a live model using a “classical” academic approach. There will be a single, long-term sitting for the duration of the workshop. The academic method allows participants to explore all aspects of portraiture including anatomical structure, planes of the face and head, rhythms of warm and cool tones, expressive brushwork, achieving a likeness, etc. The approach employed is a layering method used by most Old Masters which includes an under-painting, a middle layer (or two), and a finish coat. Despite its ancient roots, this is a modern synthesis that allows for efficiency of execution, without compromising principles of quality, craftsmanship, and draftsmanship.
Each participant gets lots of one-on-one attention from our superb instructors. ARA instructors teach year round so, unlike many artists who offer summer/holiday workshops our instructors are professional teachers as well as successful award-winning artists Whether you are an award winning experienced artist or have never painted before, our instructors will tailor to your skill level.
If you have any questions or are having trouble with online registration, please contact us.
Most workshops are scheduled five days per week, Monday to Friday, with weekends free (unless otherwise noted). The hours are usually 10:00 a.m. to 4:00 p.m., but will occasionally go to 5:00 p.m.
If you are coming from out of town and need local accommodations, click here to see our list of inexpensive places to stay near the Academy.
We offer our workshops on a regular basis. Sign up for regular email workshop updates.
Where to buy art supplies?
Classic Portrait Workshop, Materials List – Juan Martinez PAINTING SURFACE(S):
(Note:You can use a premixed #5 acrylic paint instead to tone an acrylic gesso but ensure that it is not applied too thickly; i.e, it should be transparent, like watercolour. Golden and Liquitex acrylics both tube #5 Neutral Grey paints. If working with an oil primed panel, then use only oil paint, but mix in a small amount of Liquin so that it dries well.) COLOURS for flesh palette (oil paint only):
MEDIUMS / THINNERS:
Note: These will be provided for you if you cannot find the product or if you are travelling by air. MISCELLANEOUS:
If you have any questions, please contact Juan directly at firstname.lastname@example.org