Date: Feb 5, 2018 - Feb 9, 2018
Duration: 5 Days
Location: ARA Toronto
Instructor: Esteban Rodriguez
Please note: SPACE IS LIMITED. Registrations are not guaranteed until a deposit has been paid. If you require more information call 416-766-1280.
This intensive 5-day workshop focuses on the classic alla prima portraiture style used by 19th century painter John Singer Sargent, one of the most influential direct painters of all time. Participants will work from copies of Sargent paintings to become familiar with the wet-into-wet technique that he used. This direct technique allows us to paint in a very quick and efficient way with expressive and realistic results. We will also examine a very similar style used by Anders Zorn (a contemporary of Sargent). We will also look at basics of oil painting, brushwork, general rules of colour and values applied to portraiture, and abstraction of shapes.
In the videocast below, instructor Esteban Rodriguez covers what to expect at his workshop, why John Singer Sargent is so influential, and how copying his work will help you be more confident and expressive in your work.
Each participant gets lots of one-on-one attention from our superb instructors. ARA instructors teach year round so, unlike many artists who offer summer/holiday workshops our instructors are professional teachers as well as successful award-winning artists Whether you are an award winning experienced artist or have never painted before, our instructors will tailor to your skill level.
If you have any questions or are having trouble with online registration, please contact us.
Most workshops are scheduled five days per week, Monday to Friday, with weekends free (unless otherwise noted). The hours are usually 10:00 a.m. to 4:00 p.m., but will occasionally go to 5:00 p.m.
If you are coming from out of town and need local accommodations, click here to see our list of inexpensive places to stay near the Academy.
We offer our workshops on a regular basis. Sign up for regular email workshop updates.
Where to buy art supplies?
Five 11” x 14” acrylic gesso or oil primed panel or canvases. Panels should be used since they are more portable and have a smoother surface (which is also preferable for both detail and brushwork). Good quality prepared panels, such as Ampersand and RayMar (with Portrait Grade Claussens linen) are available at nearby art stores (i.e., close to the Academy): Aboveground Art Supplies or Articulations. Please ask at the stores as they have other fine choices, as well.
COLOURS (oil paint only):
Titanium White and Cremnitz (Lead) White (if available)
Yellow Ochre PALE (Winsor & Newton)
Cadmium Red Light (true Cadmium only, not “Hue”)
Have around 6 to 10 synthetic mongoose brushes ranging in sizes from 1-10 (filberts only).
More detailed finished work will require soft (synthetic or natural) round brushes. 3 or 4 small rounds (sizes
#1 to #0) should do it.
Also have 3 or 4 hog’s bristle brushes on hand, in sizes from ¾ in. to ¼ in. (Filbert or Square)
Note: This is the minimum!
MEDIUM / THINNERS:
• A faster drying medium such as Liquin™, available nearly everywhere, is ideal for this workshop.
• A small container of odourless mineral spirits (OMS). No turpentine or citreous please.
Note: These will be provided for you if you cannot find the product or if you are travelling by air.
• 2 (two) small cups with lids for holding medium or mineral spirits. Available at art stores everywhere.
• Palette knife — a narrow, long and flexible blade is best
• Palette — Paper palettes (preferably a gray-toned palette) are quick and convenient, but a
prepared (i.e., sealed) wooden palette is ideal.
• For clean-up; a roll of paper towels, or Shop towels, or a Box of tissue, or Clean rag(s)
• Masking tape, and 2 Bulldog clips
• Mahlstick (a 1/2 in. diameter dowel, approx. 30 in. long is fine)
• Foam-core (cut to the height of your canvas and double its width. If your canvas is 16 x 12 in., the
foam-core should be 16 x 24 inches.) Note: Foam core and other materials can be purchased locally.